IK Multimedia Amplitube 5 MAX V2 Software Bundle let's you go all-in. A third would be nice for the low end, but there isn't a ton of that in the Vibratone.The IK Multimedia Amplitube 5 MAX V2 Software Bundle gives you over 430 guitar amps, pedals, cabinets, mics, and effects to utilize in creating your own signature tone with a massive collection over virtual guitar tone emulations! You'll virtually have a bigger collection than Steve Vai! There should be at least two mics: one on each side of the cabinet. I don't know what the "aux cabinet" is meant to be. Turning up the level in the mixer does very little. I have no idea what was in IK's mind when they designed the Vibratone model. I simply need moveable mics and a strong signal. I don't need anything like the control of a chorus. I know how to get what I want if I have the proper tools. I don't need that level of control on a Leslie. I mean, c'mon, a speed control on a LFO based effect and a intensity/mix control on a modulation based effect is just obligatory now. The Fulltone 80s chorus is great, the suite of rack FX in the Fender collection is very good, the Uni-Vibe is quite good, the EH stuff is like the EH stuff lol.īut yah, there are moments I wish the IK devs had said, authenticity is fine, and a good option that we will provide, but we're also going to do this modern version of this effect with modern options like they would or should have had they the option back in the day, and like, add speed and intensity controls, and this is one. If you want more extreme and/or more controllable similar FX, there's great options. My preferred way to use the Leslie is to have 2 amp channels, like a modern amp with a tight FR cab, and an AC30 type amp with the Leslie, usually on the slow speed, makes for a nice mix. It's true that due to the two speed/"vintage sim" thing, there's not the same level of control like a chorus effect. In response so far as I'm able, I have the Leslie package and like it a lot. Oh, that's so cool, totally missed that, have to give it a try. But I do not like the Waves sims, AT is to me far superior in touch and volume response, which makes sense, I would expect normalization to affect dynamic response. I understand some amp sims do input normalization or such, like I understand the Waves sims do that. I guess as is true to the real thing, which is kinda their thing. However if you do want/need to do that kind of thing for monitoring you can just dial it away in mixing like it was never there, but yah the gain staging especially for input is absolutely critical, maybe the one thing that isn't an easy fix.Īs noted the AT amp models vary wildly in input response. but so then now there doesn't need to be any excess to "make sure you can be heard" or such. The disconnect might be that with AT5 and Reaper you literally get exactly what you hear, where with the old school experience, speaking as a drummer for most of my musical life fighting 1 or 2 Marshall stacks plus bass there's this OTT wall of really kind of shrill unpleasant sound that is then miced and EQed and damped down by bodies to where it then becomes awesome lol. Not sure what you mean, what is it about monitoring the guitar sound you find difficult?
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